2017 Oscar Nominee Predictions

Best Picture

Billy Lynn’s Long Halftime Walk

La La Land

Silence

Moonlight

The Birth of a Nation

Manchester by the Sea

Best Leading Actor

Denzel Washington (Fences)

Casey Affleck (Manchester by the Sea)

Ryan Gosling (La La Land)

Tom Hanks (Sully)

Michael Keeton (The Founder)

Best Leading Actress

Viola Davis (Fences)

Emma Stone (La La Land)

Natalie Portman (Jackie)

Annette Bening (20th Century Women)

Ruth Negga (Loving)

Best Director

Ang Lee (Billy Lynn’s Long Halftime Walk)

Martin Scorsese (Silence)

Nate Parker (The Birth of a Nation)

Damien Chazelle (La La Land)

Kenneth Lonergan (Manchester by the Sea)

Clint Eastwood (Sully)

Best Supporting Actor

Liam Neeson (Silence)

Hugh Grant (Florence Foster Jenkins)

Michael Shannon (Nocturnal Animals)

Stephen McKinley Henderson (Fences)

Mahershala Ali (Moonlight)

Best Supporting Actress

Michelle Williams (Manchester by the Sea)

Naomie Harris (Moonlight)

Nicole Kidman (Lion)

Greta Gerwig (20th Century Women)

Margo Martindale (The Hollars)

Best Animated Feature

Moana (Walt Disney Pictures)

Zootopia (Walt Disney Pictures)

Kubo and the Two Strings (Laika)

The Red Turtle (Sony Pictures Classics)

Miss Hokusai (GKIDS)

Best Cinematography

Silence (Rodrigo Prieto)

Billy Lynn’s Long Halftime Walk (John Toll)

La La Land (Linus Sandgren)

Arrival (Bradford Young)

Nocturnal Animals (Seamus McGarvey)

Best Editing

La La Land (Tom Cross)

Billy Lynn’s Long Halftime Walk (Tim Squyre)

Silence (Thelma Schoonmaker)

Fences (Hughes Winborne)

Jackie Sebastián Sepúlveda

Best Original Screenplay

La La Land (Damien Chazelle)

Manchester by the Sea (Kenneth Lonergan)

Moonlight (Barry Jenkins, Tarell McCraney)

Loving (Jeff Nichols)

Jackie (Noah Oppenheim)

Best Adapted Screenplay

Fences (August Wilson)

Silence (Jay Cocks)

Lion (Luke Davies)

Nocturnal Animals (Tom Ford)

Billy Lynn’s Long Halftime Walk (Jean-Christophe Castelli)

Best Original Song

La La Land – Audition (The Fools Who Dream)

La La Land – City of Stars

Moana – We Know the Way

Sing Street – Go Now

Hidden Figures – Victory

Best Original Score

Arrival (Johann Johansson)

Nocturnal Animals (Abel Korzeniowski)

The Jungle Book (John Debney)

Rogue One: A Star Wars Story (Michael Giacchino)

Jackie (Mica Levi)

Best Visual Effects

Billy Lynn’s Long Halftime Walk

The Jungle Book

Arrival

A Monster Calls

Rogue One: A Star Wars Story

Best Costume Design

Fantastic Beasts and Where to Find Them (Colleen Atwood)

Jackie (Madeline Fontaine)

Fences (Sharen Davis)

Silence (Sandy Powell)

La La Land (Mary Zophres)

Best Sound Mixing

La La Land

Billy Lynn’s Long Halftime Walk

Arrival

Passengers

Rogue One: A Star Wars Story

Best Sound Editing

La La Land

Rogue One: A Star Wars Story

Arrival

Passengers

The Jungle Book

Best Art Direction

La La Land (David Wasco)

Silence (Dante Ferretti)

Rules Don’t Apply (Jeannine Oppewall)

Billy Lynn’s Long Halftime Walk (Mark Friedberg)

Fantastic Beasts and Where to Find Them (Stuart Craig)

Best Makeup

Jackie

Nocturnal Animals

Star Trek Beyond

Silence

Fantastic Beasts and Where to Find Them

Best Documentary Feature

Supersonic  (Mat Whitecross)

13th  (Ava DuVernay)

Gleason (Clay Tweel)

The Eagle Huntress (Otto Bell)

Best Foreign Language Feature

The Salesman (Iran)

Toni Erdmann (Germany)

Neruda (Chile)

From Afar (Venezuela)

Elle (France)

Supersonic - Documentary Review

A documentary tracing the career of Oasis. Everything from their council estate beginnings to their record breaking shows at Knebworth in 1996, taking in all the breakthroughs and bust-ups along the way. This is the journey of five lads from Manchester who started a revolution

On 31 May 1993, five lads from Manchester hired a van to drive up to Glasgow, where they played a show to “seven people”. A little over three years later, they headlined one of the biggest gigs in history when a quarter of a million people went to see them at Knebworth over two nights. Supersonic documents the rise of the great Oasis.

The film opens up with Oasis at those record-breaking gigs — the camera follows them out onto the stage as Columbia plays in the background. This is them in their pomp — kicking oversized footballs into the crowd, and taking in the noise and sheer vastness of the crowd in front of them. Then there’s a seamless segue to video footage of them recording a live demo of the same song in the basement of Manchester music venue The Boardwalk just a few years earlier. Their quick climb from unknown five-piece to tabloid-dominating brand, and the pressures it put them under, is one of the documentary’s major themes. And no-one interviewed — from Noel and Liam Gallagher, through the rest of the band, to the various people who shared their journey — shy away from this, discussing incidents such as Noel quitting the band amid a disastrous, crystal meth-fueled gig in LA and original drummer Tony McCarroll’s sacking with admirable honesty. Even McCarroll, who admits, “I think about it every day, believe it or not,” two decades on.

But the first 30 minutes are spent tracing first how the band came into being and then the time they spent before they were signed. Given this was the early ’90s, it’s remarkable how much footage of their pre-stardom years exists. Yes, there are gaps — and such stories are told via old photos, animation and voice overs — but what little we do have allows director Mat Whitecross to tell the story at the pace he wants, rather than rushing through it to finally get his stars on the screen. And they’re interesting snippets, too, from the band playing unreleased tracks (such as Take Me and See The Sun) to a live demo of Be Here Now single All Around The World recorded before they were even signed. And then, after Definitely Maybe became the fastest-selling debut of all time, the band were everywhere.

And so we see them being interviewed on TV, touring Japan and America (Liam: “First time on a jumbo plane”), at the recording sessions for (What’s The Story?) Morning Glory (although, sadly, no footage exists of Noel attacking Liam with a cricket bat), and then hitting the road again. It’s only here — as we move from Earls Court to Maine Road to Dublin — that the film begins to drag, but it’s ultimately justified as their estranged father resurfaces when they’re in Ireland. When that’s dealt with, it’s on to their grand finale at their record-breaking gigs.

Accompanying us on this journey is the era-defining music that reminds you just how vital the group were in their early years. But perhaps Oasis’ greatest strength was its two figureheads, Noel and Liam. Plenty of bands have good songs — but their charisma, bravado and (let’s be honest) flare-ups took Oasis to another level. They’re put to good use here — it’s their story, and they’re the main two voices telling it — speaking with typical wit and dubious wisdom about a time that feels simultaneously recent and impossibly long ago. And as the nostalgic memories from summer 1996 shimmer on the screen and we’re played out by The Masterplan, it’s as powerfully emotional an ending as any film will have this year.

The story of Britpop’s iconic band at its peak is told with wit, honesty and swagger. Which, given its two leads, is entirely fitting.Supersonic boasts as powerfully emotional an ending as any film will have this year.